About my Work
My work centres on contemporary handcrafted silver jewellery enriched with vitreous enamel, a medium that allows me to explore both precision and unpredictability. Enamelling is the art of fusing powdered glass onto metal in a kiln at temperatures of around 850–900°C. In the heat, the enamel softens and flows; once cooled, it hardens into a smooth, durable surface. This transformation gives each piece its depth, and distinctive intensity of colour.
I am particularly drawn to the experimental possibilities of enamel. Rather than following traditional methods alone, I develop my own techniques to create a personal visual language, as seen in collections such as Splash! and Impressions. These works are inspired by abstract forms of art, including painting, photography, ceramics, and architecture, with a strong emphasis on composition, balance, and the expressive potential of colour—or sometimes its deliberate absence.
In my Splash! collection, I begin by building a foundation of layered enamel. Onto this base, I introduce liquid enamel in a spontaneous, gestural way, allowing it to move freely and form organic, painterly patterns. Once fired, these marks are fixed, capturing a sense of movement within the surface. I then refine the piece by adding further layers or selectively applying transparent enamel to enhance depth and highlight areas of interest. Each design evolves instinctively, shaped by the interaction between material, heat, and timing rather than a fixed plan.
This process ensures that every piece is entirely unique. No pattern can be replicated, no surface repeated. The finished enamels may stand alone as small, self-contained artworks or become part of my clean, contemporary silver jewellery designs, where crisp forms frame and complement their expressive surfaces.
Through my work, I aim to celebrate the richness of enamelling in a modern context, creating jewellery that is both distinctive and wearable. Each piece carries its own character and story, shaped by a balance of control and chance, and made to be experienced as a singular work of art.



















